Lives of the Saints
Where She Has Gone represents Vittorio's life being absent from his sister and the battle to acquire her back. Vittorio's eagerness to search for his family truth and identity from the past, also leads to defeat and felling of alienation. In the end, Vittorio is unable to overcome the shame and loneliness and is abandoned in his own world.
Family support is a key aspect to a person's life while growing up. In A Glass House, Vittorio's life existed without a mother and father for the most part of his life.
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His mother died while giving birth to his sister and was later maltreated by his father when he and his sister arrived to live on his farm. Vittorio never had a good relationship with his father because he was always angry at him and his sister, Rita. Because Rita was not his daughter, Mario neglected both children that led to Rita's departure to live with another family.
Both written by Nino Ricci, as part of his trilogy which included award winning title "Lives of the Saints".. The novels of Nino Ricci's trilogy Lives of the Saints , In a Glass House , and Where She Has Gone --express a nostalgic longing for a particular moment in Canada's past: a migrant's arrival and settlement in a new land.
Derived from the Greek "nostos," which signifies a return home, and "algos," which refers to suffering or pain, nostalgia is a powerful impulse that awakens a bittersweet longing for the past, even for a past that evokes painful memories, since these memories show those who have suffered that they have the capacity to endure. Yet he explains, "If nostalgia is a symptom of malaise, it also has compensating virtues.
Attachment to familiar places may buffer social upheaval, attachment to familiar faces may be necessary for enduring association" , Daniel Francis reinforces this point when he writes, "In an age of anxiety, it is not surprising to find nostalgia flourishing" , For Canadian writers from different ethno-cultural backgrounds, a nostalgic return to an immigrant past can be a means of establishing roots in this land.
While nostalgia has traditionally played a central role in ethnic literature, this longing has typically rested on a nostalgic desire to "journey toward an originary home" Kamboureli , The novels of Ricci's trilogy, however, move beyond this nostalgia for a lost homeland and express instead a nostalgia for a different kind of origins for origins in the new land, for the originary moment when Italian immigrants arrived and settled in Canada. What Ricci's novels reveal is that the creation of an authenticating mythology is dependent upon the assertion of these originary moments.
For a mythology to be authenticating, it must reconstruct and reimagine genuine historical events. It must, in other words, lay claim to verifiable historical origins.
Lives of the Saints
For example, in his trilogy, Ricci creates an authenticating mythology that reconstructs the historical realities of Italian migration to Canada and thus offers his ethnic group a genuine sense of belonging in the nation. Yet even as he recovers these origins, he questions historical "truths" and blurs the boundaries between fact and fiction. An unknown error has occurred.